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THE ALTAR

IM NOT SAD ANYMORE

Belong Late Night



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My understanding is that no one can escape this cruelty, neither myself nor the audience. Once the audience steps into the site of the performance, they become involved in the reality before their eyes. They have nowhere to escape, just as they have no way to escape reality. Zhang Huan
◯ becoming the body
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  • (JENNY ◯ HOLZER)
柔柔柔
FROM THE DEEP SEA Rebecca Fin Simonetti
map of: SEEKING AN AESTHETIC REVOLUTION
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WHO WILL SORT THROUGH THIS WHEN WE'RE GONE



I wouldn't even flinch





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⚐

"IN ORDER TO UNDERSTAND, I DESTROYED MYSELF"


A dissatisfied dreamer awakes,
goes out in the night seeking 'a light'
and is drawn through the needle's eye.
— KENNETH ANGER


















0
ANY MOMENT PREVIOUS TO
THE PRESENT MOMENT

1
THE PRESENT MOMENT AND
ONLY THE PRESENT MOMENT

2
ALL APARENTLY INDIVIDUAL
OBJECTS DIRECTLY EXPERIENCED
BY YOU AT 1

3
ALL OF YOUR RECOLLECTION AT 1
OF APPARENTLY INDIVIDUAL OBJECTS
DIRECTLY EXPERIENCED BY YOU AT
0 AND KNOWN TO BE IDENTICAL
WITH 2

4
ALL CRITERIA BY WHICH YOU MIGHT
DISTINGUISH BETWEEN MEMBERS OF 3
AND 2

5
ALL OF YOUR EXTRAPOLATION FROM
2 AND 3 CONCERNING THE DISPOSITION
OF 2 AT 0

6
ALL ASPECTS OF THE DISPOSITION
OF YOUR WON BODY AT 1 WHICH
YOU CONSIDER IN WHOLE OR IN
PART STRUCTURALLY ANALOGOUS
WITH THE DISPOSITION OF 2

7
ALL OF YOUR INTENTIONAL BODILY
ACTS PERFORMED UPON ANY MEMBER
OF 2

8
ALL OF YOUR BODILY SENSATIONS
WHICH YOU CONSIDER CONTINGENT
UPON YOUR BODILY CONTACT WITH
ANY MEMBER OF 2

9
ALL EMOTIONS DIRECTLY EXPERIENCED
BY YOU AT 1

10
ALL OF YOUR BODILY SENSATIONS
WHICH YOU CONSIDER CONTINGENT
UPON ANY MEMBER OF 9

11
ALL CRITERIA BY WHICH YOU MIGHT
DISTINGUISH BETWEEN MEMBERS OF
10 AND 9

12
ALL OF YOUR RECOLLECTION AT 1
OTHER THAN 3

13
ALL ASPECTS OF 12 UPON WHICH
YOU CONSIDER ANY MEMBER OF 9
TO BE CONTINGENT

ANY MOMENT
Victor Burgin 1970