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THE ALTAR
IM NOT SAD ANYMORE
Belong
Late
Night
a new Rita Ackermann painting
____________________
Tom Fruin, untiltled, 2009, neons, variable size.
____________________
Light crowds approaching (from the West)
As the Future so the Crowd
Migations
Paul Eachus
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WHO WILL SORT THROUGH THIS WHEN WE'RE GONE
WHO WILL SORT THROUGH THIS WHEN WE'RE GONE
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I wouldn't even flinch
☾
◯
SHRINES
TOMBS
FLAGS
⚐
"
IN ORDER TO UNDERSTAND, I DESTROYED MYSELF"
A dissatisfied dreamer awakes,
goes out in the night seeking 'a light'
and is drawn through the needle's eye.
— KENNETH ANGER
0
ANY MOMENT PREVIOUS TO
THE PRESENT MOMENT
1
THE PRESENT MOMENT AND
ONLY THE PRESENT MOMENT
2
ALL APARENTLY INDIVIDUAL
OBJECTS DIRECTLY EXPERIENCED
BY YOU AT 1
3
ALL OF YOUR RECOLLECTION AT 1
OF APPARENTLY INDIVIDUAL OBJECTS
DIRECTLY EXPERIENCED BY YOU AT
0 AND KNOWN TO BE IDENTICAL
WITH 2
4
ALL CRITERIA BY WHICH YOU MIGHT
DISTINGUISH BETWEEN MEMBERS OF 3
AND 2
5
ALL OF YOUR EXTRAPOLATION FROM
2 AND 3 CONCERNING THE DISPOSITION
OF 2 AT 0
6
ALL ASPECTS OF THE DISPOSITION
OF YOUR WON BODY AT 1 WHICH
YOU CONSIDER IN WHOLE OR IN
PART STRUCTURALLY ANALOGOUS
WITH THE DISPOSITION OF 2
7
ALL OF YOUR INTENTIONAL BODILY
ACTS PERFORMED UPON ANY MEMBER
OF 2
8
ALL OF YOUR BODILY SENSATIONS
WHICH YOU CONSIDER CONTINGENT
UPON YOUR BODILY CONTACT WITH
ANY MEMBER OF 2
9
ALL EMOTIONS DIRECTLY EXPERIENCED
BY YOU AT 1
10
ALL OF YOUR BODILY SENSATIONS
WHICH YOU CONSIDER CONTINGENT
UPON ANY MEMBER OF 9
11
ALL CRITERIA BY WHICH YOU MIGHT
DISTINGUISH BETWEEN MEMBERS OF
10 AND 9
12
ALL OF YOUR RECOLLECTION AT 1
OTHER THAN 3
13
ALL ASPECTS OF 12 UPON WHICH
YOU CONSIDER ANY MEMBER OF 9
TO BE CONTINGENT
ANY MOMENT
Victor Burgin
1970
