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THE ALTAR
IM NOT SAD ANYMORE
Belong
Late
Night
John Chamberlain, painted and chromed steel
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WHO WILL SORT THROUGH THIS WHEN WE'RE GONE
WHO WILL SORT THROUGH THIS WHEN WE'RE GONE
6 (1)
2 (1)
24 (1)
21 (1)
19 (1)
16 (1)
6 (1)
5 (1)
31 (1)
30 (1)
29 (2)
6 (1)
22 (1)
29 (1)
11 (1)
25 (1)
14 (1)
26 (1)
22 (1)
15 (2)
11 (1)
20 (1)
8 (1)
20 (1)
12 (1)
28 (1)
25 (1)
18 (1)
16 (1)
15 (1)
13 (1)
7 (1)
4 (1)
19 (1)
9 (1)
1 (1)
21 (1)
12 (1)
5 (1)
4 (1)
30 (1)
27 (2)
21 (1)
17 (1)
11 (1)
10 (1)
5 (1)
22 (1)
14 (1)
9 (1)
8 (1)
29 (1)
24 (1)
17 (1)
14 (1)
11 (1)
9 (1)
3 (1)
27 (1)
25 (1)
24 (2)
23 (1)
22 (1)
21 (1)
20 (1)
19 (1)
18 (1)
15 (1)
13 (1)
12 (1)
11 (3)
7 (2)
5 (1)
4 (5)
3 (4)
2 (1)
25 (2)
22 (1)
19 (4)
18 (1)
11 (2)
28 (1)
24 (1)
6 (1)
3 (1)
24 (2)
12 (2)
6 (2)
5 (3)
4 (2)
2 (4)
1 (2)
25 (1)
22 (1)
21 (2)
18 (1)
17 (7)
16 (2)
12 (1)
10 (2)
8 (1)
7 (1)
3 (1)
2 (2)
26 (1)
15 (2)
9 (1)
8 (4)
7 (1)
4 (2)
31 (1)
23 (2)
22 (2)
14 (1)
2 (1)
11 (1)
4 (1)
2 (2)
1 (1)
25 (1)
20 (1)
18 (1)
16 (2)
5 (1)
4 (1)
23 (1)
20 (1)
12 (1)
30 (1)
8 (1)
7 (1)
27 (1)
26 (1)
21 (1)
13 (1)
9 (1)
7 (1)
3 (3)
30 (1)
29 (1)
28 (2)
26 (2)
25 (3)
22 (2)
8 (1)
5 (1)
24 (1)
9 (1)
8 (2)
6 (3)
4 (3)
3 (3)
1 (2)
30 (1)
23 (1)
22 (1)
20 (1)
19 (1)
18 (1)
16 (1)
15 (2)
4 (1)
3 (1)
31 (1)
15 (1)
14 (1)
12 (3)
8 (1)
4 (1)
28 (2)
23 (2)
22 (3)
21 (2)
20 (3)
17 (3)
16 (1)
15 (1)
14 (1)
13 (2)
4 (1)
3 (1)
29 (3)
27 (3)
19 (1)
17 (3)
16 (2)
15 (2)
12 (3)
11 (2)
6 (1)
4 (1)
30 (1)
29 (1)
18 (1)
3 (1)
I wouldn't even flinch
☾
◯
SHRINES
TOMBS
FLAGS
⚐
"
IN ORDER TO UNDERSTAND, I DESTROYED MYSELF"
A dissatisfied dreamer awakes,
goes out in the night seeking 'a light'
and is drawn through the needle's eye.
— KENNETH ANGER
0
ANY MOMENT PREVIOUS TO
THE PRESENT MOMENT
1
THE PRESENT MOMENT AND
ONLY THE PRESENT MOMENT
2
ALL APARENTLY INDIVIDUAL
OBJECTS DIRECTLY EXPERIENCED
BY YOU AT 1
3
ALL OF YOUR RECOLLECTION AT 1
OF APPARENTLY INDIVIDUAL OBJECTS
DIRECTLY EXPERIENCED BY YOU AT
0 AND KNOWN TO BE IDENTICAL
WITH 2
4
ALL CRITERIA BY WHICH YOU MIGHT
DISTINGUISH BETWEEN MEMBERS OF 3
AND 2
5
ALL OF YOUR EXTRAPOLATION FROM
2 AND 3 CONCERNING THE DISPOSITION
OF 2 AT 0
6
ALL ASPECTS OF THE DISPOSITION
OF YOUR WON BODY AT 1 WHICH
YOU CONSIDER IN WHOLE OR IN
PART STRUCTURALLY ANALOGOUS
WITH THE DISPOSITION OF 2
7
ALL OF YOUR INTENTIONAL BODILY
ACTS PERFORMED UPON ANY MEMBER
OF 2
8
ALL OF YOUR BODILY SENSATIONS
WHICH YOU CONSIDER CONTINGENT
UPON YOUR BODILY CONTACT WITH
ANY MEMBER OF 2
9
ALL EMOTIONS DIRECTLY EXPERIENCED
BY YOU AT 1
10
ALL OF YOUR BODILY SENSATIONS
WHICH YOU CONSIDER CONTINGENT
UPON ANY MEMBER OF 9
11
ALL CRITERIA BY WHICH YOU MIGHT
DISTINGUISH BETWEEN MEMBERS OF
10 AND 9
12
ALL OF YOUR RECOLLECTION AT 1
OTHER THAN 3
13
ALL ASPECTS OF 12 UPON WHICH
YOU CONSIDER ANY MEMBER OF 9
TO BE CONTINGENT
ANY MOMENT
Victor Burgin
1970
