skip to main
|
skip to sidebar
THE ALTAR
IM NOT SAD ANYMORE
Belong
Late
Night
my favorite painting by Audrey Kawasaki
Newer Post
Older Post
Home
WHO WILL SORT THROUGH THIS WHEN WE'RE GONE
WHO WILL SORT THROUGH THIS WHEN WE'RE GONE
6 (1)
2 (1)
24 (1)
21 (1)
19 (1)
16 (1)
6 (1)
5 (1)
31 (1)
30 (1)
29 (2)
6 (1)
22 (1)
29 (1)
11 (1)
25 (1)
14 (1)
26 (1)
22 (1)
15 (2)
11 (1)
20 (1)
8 (1)
20 (1)
12 (1)
28 (1)
25 (1)
18 (1)
16 (1)
15 (1)
13 (1)
7 (1)
4 (1)
19 (1)
9 (1)
1 (1)
21 (1)
12 (1)
5 (1)
4 (1)
30 (1)
27 (2)
21 (1)
17 (1)
11 (1)
10 (1)
5 (1)
22 (1)
14 (1)
9 (1)
8 (1)
29 (1)
24 (1)
17 (1)
14 (1)
11 (1)
9 (1)
3 (1)
27 (1)
25 (1)
24 (2)
23 (1)
22 (1)
21 (1)
20 (1)
19 (1)
18 (1)
15 (1)
13 (1)
12 (1)
11 (3)
7 (2)
5 (1)
4 (5)
3 (4)
2 (1)
25 (2)
22 (1)
19 (4)
18 (1)
11 (2)
28 (1)
24 (1)
6 (1)
3 (1)
24 (2)
12 (2)
6 (2)
5 (3)
4 (2)
2 (4)
1 (2)
25 (1)
22 (1)
21 (2)
18 (1)
17 (7)
16 (2)
12 (1)
10 (2)
8 (1)
7 (1)
3 (1)
2 (2)
26 (1)
15 (2)
9 (1)
8 (4)
7 (1)
4 (2)
31 (1)
23 (2)
22 (2)
14 (1)
2 (1)
11 (1)
4 (1)
2 (2)
1 (1)
25 (1)
20 (1)
18 (1)
16 (2)
5 (1)
4 (1)
23 (1)
20 (1)
12 (1)
30 (1)
8 (1)
7 (1)
27 (1)
26 (1)
21 (1)
13 (1)
9 (1)
7 (1)
3 (3)
30 (1)
29 (1)
28 (2)
26 (2)
25 (3)
22 (2)
8 (1)
5 (1)
24 (1)
9 (1)
8 (2)
6 (3)
4 (3)
3 (3)
1 (2)
30 (1)
23 (1)
22 (1)
20 (1)
19 (1)
18 (1)
16 (1)
15 (2)
4 (1)
3 (1)
31 (1)
15 (1)
14 (1)
12 (3)
8 (1)
4 (1)
28 (2)
23 (2)
22 (3)
21 (2)
20 (3)
17 (3)
16 (1)
15 (1)
14 (1)
13 (2)
4 (1)
3 (1)
29 (3)
27 (3)
19 (1)
17 (3)
16 (2)
15 (2)
12 (3)
11 (2)
6 (1)
4 (1)
30 (1)
29 (1)
18 (1)
3 (1)
I wouldn't even flinch
☾
◯
SHRINES
TOMBS
FLAGS
⚐
"
IN ORDER TO UNDERSTAND, I DESTROYED MYSELF"
A dissatisfied dreamer awakes,
goes out in the night seeking 'a light'
and is drawn through the needle's eye.
— KENNETH ANGER
0
ANY MOMENT PREVIOUS TO
THE PRESENT MOMENT
1
THE PRESENT MOMENT AND
ONLY THE PRESENT MOMENT
2
ALL APARENTLY INDIVIDUAL
OBJECTS DIRECTLY EXPERIENCED
BY YOU AT 1
3
ALL OF YOUR RECOLLECTION AT 1
OF APPARENTLY INDIVIDUAL OBJECTS
DIRECTLY EXPERIENCED BY YOU AT
0 AND KNOWN TO BE IDENTICAL
WITH 2
4
ALL CRITERIA BY WHICH YOU MIGHT
DISTINGUISH BETWEEN MEMBERS OF 3
AND 2
5
ALL OF YOUR EXTRAPOLATION FROM
2 AND 3 CONCERNING THE DISPOSITION
OF 2 AT 0
6
ALL ASPECTS OF THE DISPOSITION
OF YOUR WON BODY AT 1 WHICH
YOU CONSIDER IN WHOLE OR IN
PART STRUCTURALLY ANALOGOUS
WITH THE DISPOSITION OF 2
7
ALL OF YOUR INTENTIONAL BODILY
ACTS PERFORMED UPON ANY MEMBER
OF 2
8
ALL OF YOUR BODILY SENSATIONS
WHICH YOU CONSIDER CONTINGENT
UPON YOUR BODILY CONTACT WITH
ANY MEMBER OF 2
9
ALL EMOTIONS DIRECTLY EXPERIENCED
BY YOU AT 1
10
ALL OF YOUR BODILY SENSATIONS
WHICH YOU CONSIDER CONTINGENT
UPON ANY MEMBER OF 9
11
ALL CRITERIA BY WHICH YOU MIGHT
DISTINGUISH BETWEEN MEMBERS OF
10 AND 9
12
ALL OF YOUR RECOLLECTION AT 1
OTHER THAN 3
13
ALL ASPECTS OF 12 UPON WHICH
YOU CONSIDER ANY MEMBER OF 9
TO BE CONTINGENT
ANY MOMENT
Victor Burgin
1970
